Get the best Formula 1 racers in paddocks, assemble overseas super sports cars in great places, or even take a picture of your friend’s JDM in the local parking lot at the department store. Car photography helps us to respect, observe and remember the cars we love. But how do these cars and moments be obtained?

Of the many lenses available, we will focus on what matters to you: a versatile zoom lens, a primary lens, and a telephoto lens. Read for more information best lens for car photography

Are you looking for the right camera body for taking pictures of your car? Take a look at our complete guide to choosing the best camera for your car photography.

24-70 mm f / 2.8 – Universal car photographic lens

The powerful 24-70mm f / 2.8 lens is the standard all-around gold lens for any use, making it one of the most versatile automatic shooting lenses.

If you take pictures outside the car and take the car with the surrounding environment, you can zoom in 24-70 and record the scene. All this while maintaining a fast and sharp lens and limiting the wide focal length to 24 mm to avoid image distortion.

35mm f / 1.4 – Premium lens for car photography

The 35mm f / 1.4 focal length lens is a jack in every store. The focal length of 35 mm is suitable for photographing cars because it most accurately displays cars without lens distortion. This, combined with the wide aperture, provides sharp details of shallow depth of field and silky smooth bokeh, and good short light.

When opened at 35 mm wide from f / 1,4-f / 4, the shallow depth of field is one of the best in the car’s photo lenses. The bokeh you achieve is amazing and the separation of foreground and background is distinctive. This is a good lens that really sets a car apart. 70-200 mm f / 2.8 – telephoto lens for automatic photography

The robust 70-200mm f / 2.8 telephoto lens is an indispensable lens in the pocket of every car photographer.

Compared to animal 400mm or 600mm lenses used by professional photographers, this telephoto lens doesn’t have to be a good starting point for automatic remote shooting.

You know, standing on top of a real race track near any event is the furthest thing from safety – these phones allow you to access the event from a distance. Turn on the variable ND filter and you can achieve silky smooth motion blur by lowering the shutter (1/10 – 1/50) and tracking the movement of cars.